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Movie Title : L'Enfant (The Child)
Release Date : Mar 24, 2006 Limited
Genre Movie :Art House & International,Drama
Mpaa Rating : R

Actors :Jérémie Renier,Déborah François,Jeremie Segard,Fabrizio Rongione,Olivier Gourmet

After learning he has a newborn son, a small-time thief attempts to go straight - but not until his amorality is pushed to its breaking point - in this social-problem drama from writer-directors Jean-Pierre Dardenne and Luc Dardenne. Eighteen-year-old Sonia (Déborah Francois) has just given birth to a baby boy. The baby's father Bruno (Jérémie Renier) is panhandling in the street when Sonia tracks him down, and he shows little interest in fathering the child, or even providing a roof over the heads of the fledgling family. As the new and inexperienced mother navigates the bleak industrial landscape of the small Belgian town they live in, Bruno falls in with a clandestine group that buys and sells healthy children on the black market. He tragically learns that one avaricious decision, made in an instant, can affect the lives of everyone in his orbit. ~ Jason Buchanan, Rovi
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User Ranting Movie L'Enfant (The Child) : 3.2
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New Review For Movie L'Enfant (The Child)
Absolutely terrific.
Geoff Andrew-Time Out

A simple moral fable told with compassion and nerve.
Roger Moore-Orlando Sentinel

What is astonishing, and most admirable, is the way the filmmakers manage to create sympathy for this pathetic loser.
Richard Nilsen-Arizona Republic

Every act in the film has a mythic resonance.
David Edelstein-New York Magazine

No one is likely to leave L'Enfant unaffected by the Dardennes incisive exploration of the consequences of a world where some of its citizens have found a way to rationalize, and even ignore, what was if not unimaginable, at least unforgivable.
-Detroit Free Press

A gritty slice of real life, relentlessly in focus, though always humane.
Michael Booth-Denver Post

Another terrific, ultra-realistic family drama fom the talented Dardenne brothers, winner of Cannes Film Fest top prize.
Emanuel Levy-EmanuelLevy.Com

A masterpiece
Fernando F. Croce-CinePassion

Although "L'Enfant" won the coveted Palme d' Or at the 2005 Cannes Film Festival, it is a grossly disappointing movie.
Cole Smithey-ColeSmithey.com

the Dardennes have managed to concoct an engaging and often suspenseful drama without ever calling upon fancy camerawork, sensational performances, or even so much as a musical score.
Anton Bitel-Eye for Film

Adequate, to be sure, but far from extraordinary.
Jason Gorber-Film Scouts

It doesn't need a lot of dialogue. It is able to deliver its message in almost purely cinematic terms.
Robert Roten-Laramie Movie Scope

A film about roads and cell phones, decaying buildings and people who ought to be budding, indifference masked by buffoonery, the belief that money just floats around.
Stuart Klawans-The Nation

An exploration of the existence of morality -- where does it come from, especially in a world as cold as what's presented here?
Jeffrey Chen-Window to the Movies

Un baldazo de realidad que confirma a los hermanos Dardenne como dos sensibles observadores de personajes marginales.
Enrique Buchichio-Uruguay Total

It's a thin story and the film is unremarkable in cinematic terms, except for the tension that the Dardennes manage to maintain, thanks to top performances from Jérémie Renier and Déborah François
Urban Cinefile Critics-Urban Cinefile

"L'Enfant" follows in their fierce and unsparing tradition, a tale of a destitute young couple under extraordinary pressure from without and within.
Rob Thomas-Capital Times (Madison, WI)

In the end, the film itself may be of less consequence than the emotions it stirs up in the viewer. Can we forgive the unforgivable? Should we?
Robert W. Butler-Kansas City Star

A genuine tale of redemption.
John Wirt-Advocate (Baton Rouge, LA)

Its story appears simple, but L'Enfant offers subtle insights into Bruno's behavior as it progresses.
Carla Meyer-Sacramento Bee

The journey and character evolution of Bruno is subtle and believable, thanks to Renier's performance.
Jeff Vice-Deseret News, Salt Lake City

[The Dardennes] break down whatever barriers a more formal film might have offered the audience for protection.
Sean Means-Salt Lake Tribune

many will exit humming Peggy Lee's 'Is That All There Is?'
John A. Nesbit-Old School Reviews

Story thrives on how realistic, unsentimental, bleak and penetrating it is.
Dennis Schwartz-Ozus' World Movie Reviews