Watch Out of the Blue (Aramoana) Full Movie Online

Movie Title : Out of the Blue (Aramoana)
Release Date : Oct 19, 2007 Wide
Genre Movie :Drama
Mpaa Rating : Unrated

Actors :Karl Urban,Matthew Sunderland,Lois Lawn,Simon Ferry,Tandi Wright,Paul Glover,William Kircher,Georgina Fabish,Fayth Rasmussen,Timothy Bartlett,Jacinta Wawatai


Out of the Blue, New Zealand writer-director Robert Sarkies' long-awaited follow-up to his 1999 feature debut, Scarfies, recreates the events that led up to and surrounded David Gray's November 13, 1990 mass murder of 13 locals in the town of Aramoana, New Zealand. Sarkies, however, approaches the material not as exploitation nor as an action picture, but -- like Terrence Malick in his 1973 true crime picture Badlands -- as an understated and detached drama. Sarkies uses a contemplative and reflective approach and a small-town pace and resists gratuitousness, intersecting several tales of casualties and survivors and downplaying the brutal violence. One story involves the contentious relationship between fiftysomething Jim (Timothy Bartlett) and his mother (Lois Lawn); another has a mom, Julia Anne (Tandi Wright) informing her daughter Rewa (Jacinta Wawatai) and her beau's children that they plan to share a house; and in a third, eccentric gun nut David Gray (Matthew Sunderland) cracks and guns down Julia's boyfriend, Gerry (Simon Ferry), in cold blood. These only represent the first three threads in a complex narrative tapestry; the story ultimately gives way to tense hours as the locals, realizing that a predator is on the loose and will kill anyone he can find, barricade their homes and cower in fear. Cinematographer Greig Fraser gives the picture a chilly, wintry aesthetic, rich with whites and blues. The film co-stars Karl Urban; Graeme Tetley co-authored the script with Sarkies. ~ Nathan Southern, Rovi
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User Ranting Movie Out of the Blue (Aramoana) : 3.8
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The usual dramatic affectations applied to such true-life material are largely absent; instead, Sarkies focuses on various quotidian elements that take on weight as the inevitable draws closer.
David Fear-Time Out New York

Sarkies avoids the genre's conventional trappings and prefers instead to concentrate on the ways in which the people of Aramoana deal with the unfolding event.
V.A. Musetto-New York Post

Robert Sarkies' dramatization of that event is as sensitive to its subject as it is stark in its rendering.
Jack Mathews-New York Daily News

Without such thematic resonance, it plays like a more elaborate version of one of the dramatic re-creations seen on any number of true-crime television programs.
Frank Scheck-Hollywood Reporter

Like Steven Spielberg's historical epics, the film shows the nastiest incidents from a great distance, or cuts away before a bullet's impact to show an onlooker's shocked reaction. The director confronts horror without wallowing in it.
Matt Zoller Seitz-New York Times

There's some nifty soft-focus cinematography and fine performances, but otherwise, not much to resonate on this side of the pond.
Aaron Hillis-Village Voice

A claustrophobic dramatic reconstruction of a 22-hour shooting spree in the sleepy coastal town of Aramoana, New Zealand, that left 13 people dead.
Cath Clarke-Guardian [UK]

Brilliantly directed, thoroughly gripping thriller that is both deeply moving and genuinely terrifying -- this is one of the best films of the year.
Matthew Turner-ViewLondon

This is not a feel-good movie by any stretch, but it gets amazing marks on almost every front and really needs to be seen.
Christopher Null-Filmcritic.com

Harrowing and heartbreaking, this is the film of the week by many a mile. Despite playing in just a handful of cinemas, I urge you to track it down.
-Daily Mirror [UK]

A strong drama clearly dedicated to exploring its real life events, if not hugely memorable in its own right.
Steve Watson-Film4

Scrupulously avoiding sensationalism, the film concentrates much less on the killer, than on the other locals engulfed in the tragedy.
Thomas Dawson-BBC

The massacre still touches a raw nerve in New Zealand but, filming at a neighbouring town and informed by survivors' accounts, Sarkies manages both a sensitive and excruciatingly taut docu-thriller that's refreshing for the genuine weight of its tragedy.
-Total Film

In no way an easy watch, but as a meticulous record of a tragedy and the feats of bravery it inspired, this is an excellent movie.
Rob Daniel-Sky Movies

A haunting, uplifting and never-exploitative portrayal of a terrifying real-life tragedy.
Mark Dinning-Empire Magazine

Compelling but flawed.
James Bramble-Little White Lies

It's not to say that the filmmakers should have resorted to pulp dramatics, but in correctly straining to not exploit their subjects, they forgot to fill in the spaces left behind.
Chris Barsanti-Film Journal International

With his carefully controlled pacing and superb use of sound, Sarkies draws the viewer deep into the experience of a town caught completely off-guard by a kind of violence they could never have expected, and won't soon forget.
Ken Fox-TV Guide's Movie Guide

The persistent attack of the lone, merciless gunman is reason enough to keep your eyes glued to the screen.
Matt Pais-Metromix.com

Suggests a Folgers Crystals commercial with a body count.
Ed Gonzalez-Slant Magazine

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Movie Overview For Out of the Blue (Aramoana)
Ordinary people find extraordinary courage in the face of madness. On 13-14 November 1990 that madness came to Aramoana, a small New Zealand seaside village. It came in the form of a lone gunman with a high-powered semi-automatic rifle. As he stalked his victims the terrified and confused residents were trapped in the village for 24 hours while a handful of under-resourced and underarmed local policeman risked their lives trying to find him and save the survivors. By dawn 13 people lay dead. This is a true story.

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Watch Stephanie Daley Full Movie Online

Movie Title : Stephanie Daley
Release Date : Jan 21, 2006 Wide
Genre Movie :Art House & International,Drama
Mpaa Rating : R

Actors :Tilda Swinton,Amber Tamblyn,Timothy Hutton,Denis O'Hare,Melissa Leo,Deirdre O'Connell,Jim Gaffigan,Halley Feifer,Kel O'Neill,Neal Huff,John Ellison Conlee,Vincent Piazza,Caitlin Van Zant,Marceline Hugot,Kaiulani Lee,Novella Nelson


A frightened and irresponsible girl and an emotionally conflicted woman are brought together under tragic circumstances in this independent drama. Stephanie Daley (Amber Tamblyn) is a 16-year-old girl who while on a school-sponsored ski trip collapses in a puddle of blood; a medical examination reveals that Stephanie has recently given birth, and in a nearby bathroom a newborn child is found dead, flushed down a toilet with its mouth stuffed with toilet paper. While Stephanie insists the child was stillborn and she had no idea she was pregnant, she is charged with killing the infant, and court-appointed psychologist Lydie Crane (Tilda Swinton) is assigned to interview the teenager. Lydie has her own issues with possible parenthood; she's been struggling to have a child after a recent stillbirth, and the matter is taking a toll on her marriage, with her husband, Paul (Timothy Hutton), seeking solace in the arms of another woman. As Stephanie shares with Lydie her feelings about her relationship with her parents, how she lost her virginity, and her growing conviction that God gave her a child as a form of punishment, Lydie finds herself dealing with her own feelings about the child she lost. Meanwhile, Right to Life and Pro-Choice groups threaten to turn Stephanie's trial into a media circus. Stephanie Daley premiered at the 2006 Sundance Film Festival. ~ Mark Deming, Rovi
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User Ranting Movie Stephanie Daley : 2.9
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The acting is uniformly on a high level. Tamblyn is impressive, and Swinton, as usual, is outstanding.
Walter V. Addiego-San Francisco Chronicle

You are likely to be discussing this film long into the night.
Roger Ebert-Chicago Sun-Times

Apart from Swinton's fine performance, what largely distinguishes this is Brougher's sharp narrative focus.
Jonathan Rosenbaum-Chicago Reader

A movie that can wound you.
Michael Wilmington-Chicago Tribune

Tamblyn's surprisingly measured performance commands attention.
Janice Page-Boston Globe

To see Tamblyn's work here, to see her character almost simultaneously embody pain, terror, anguish, embarrassment, regret and just about any emotion you can think of, is to watch the kind of acting the medium exists to provide.
Kenneth Turan-Los Angeles Times

Stephanie Daley stands out for Amber Tamblyn's (The Grudge 2, Joan of Arcadia) unbelievable performance in the title role.
Heather Huntington-ReelzChannel.com

There's a rawness to [it]...it paints slick composition and beautiful, bleeding color on the kind of story about sex and faith that no one has told well in a while.
Karina Longworth-Cinematical

Sobering infanticide drama is too much for kids.
S. Jhoanna Robledo-Common Sense Media

Thought-provoking and mesmerising.
-Empire Magazine

As joyless as it may be, it's still a brilliant emotional experience.
Tim Brayton-Antagony & Ecstasy

boils a rambunctious issue down to the personal bruises
Chris Cabin-Filmcritic.com

Filled with emotional pain, it's a perceptive, truthful film interested not in passing judgement, but rather in exploring the truth about relationships, pregnancy and life.
Brian Webster-Apollo Guide

not a great deal that is dramatic happens in the film, but it is that accrual of small details that fleshes out who these people are.
Ted Murphy-Murphy's Movie Reviews

Tamblyn's performance is a delicate balancing act; she has to stealthily reveal who Stephanie is to us while still holding back the most vital information until the very end.
Mary F. Pols-Contra Costa Times

It's remarkable how close the director gets to these two characters, and how quietly.
Jeffrey M. Anderson-Combustible Celluloid

...a fine and foreboding duet of character study
Laura Clifford-Reeling Reviews

If ever there were a shamelessly preachy attempt to scare teen girls out of having unprotected sex, this is it.
Cole Smithey-ColeSmithey.com

Powerfully acted, intimate drama.
Bob Strauss-Los Angeles Daily News

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Stephanie collapses in a pool of blood while on a school skiing trip. A doctor discovers that the blood is the after-effects of giving birth. Soon afterward, the body of a newborn baby is found in a toilet, its mouth blocked with toilet paper. Despite Stephanie's insistence that her child was stillborn and that she had no idea that she was pregnant, she is arrested for the murder of the child.

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Watch Air Guitar Nation Full Movie Online

Movie Title : Air Guitar Nation
Release Date : Mar 9, 2006 Wide
Genre Movie :Documentary,Musical & Performing Arts,Special Interest
Mpaa Rating : R

Actors :David "C-Diddy" Jung,Dan "Björn Türoque" Crane


In this documentary from filmmaker Alexandra Lipsitz, the cameras roll to capture the fierce competitive spirit that defined the first annual U.S. Air Guitar Championship. Staged in Finland and featuring some of the fastest-fingered shredders on the planet, the U.S. Air Guitar Championship would bring a hobby once contained to the bedroom directly into the spotlight for all to enjoy. Featured jam sessions and interviews with both the performers and their "airhead" groupies offer a humorous look at an unlikely competition driven by pure showmanship. ~ Jason Buchanan, Rovi
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User Ranting Movie Air Guitar Nation : 3.6
User Percentage For Air Guitar Nation : 75 %
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A nuts-and-bolts document of the annual Air Guitar World Championships which take place in the rural outpost of Oulu in Finland.
David Jenkins-Time Out

Sure, there is an infectious goofiness in watching a grown man in a red robe and Hello Kitty breastplate rock out on an imaginary ax. But the gag is spread pretty thin.
John Monaghan-Detroit Free Press

The film's action footage -- lots of men and women thrashing around with a theoretical Fender in hand -- gets pretty tedious after a while. There is only so much self-inflicted embarrassment one can bear watching.
Tom Keogh-Seattle Times

In this pitch-perfect documentary about the very real rise of air guitar competition in the United States, and two of its top performers, stony thoughts will arise as to whether one is suddenly trapped inside a satire that got wrapped in a reality.
Justin Berton-San Francisco Chronicle

It's a limited movie, from the musical palette the performers choose, to the number of players the movie spends time with.
Roger Moore-Orlando Sentinel

The suggestion is that C-Diddy can be seen as a sort of ambassador for the 'make air, not war' sentiment. Why not? Even as real ambassadors go, we could do worse.
Janice Page-Boston Globe

Put aside all of your preconceptions of air guitar as a hobby of shamelessly untalented wanna-be guitar players, and step into the world of competitive air guitar.
Cole Smithey-ColeSmithey.com

When a documentary is as entertaining as Air Guitar Nation, you have to ask if you really need it to have redeeming social value or to advance the art form in any way.
Keith H. Brown-Eye for Film

This raucously entertaining documentary about one of the silliest competitions on the planet actually has a serious message about the power of "airness" to change the world. Well, maybe.
Rich Cline-Shadows on the Wall

There must be better, more useful ways of amusing themselves but obviously none which would allow them to strut the stage to the plaudits of a baying crowd like latter-day rock stars.
Derek Malcolm-This is London

Very funny.
Sukhdev Sandhu-Daily Telegraph

Like most guitar solos, the film doesn't quite know when to quit.
Xan Brooks-Guardian [UK]

Originality 0.9, Presentation 2.3 and Silliness 5.2.
-Sun Online

Despite the film's admirable brevity it's still hard to maintain a wry ironic grin for a full 81 minutes.
Kevin Maher-Times [UK]

While quite possibly the stupidest thing you've ever seen in your life, this documentary exploring the world of air guitar enthusiasts is a riot from start to finish.
David Edwards-Daily Mirror [UK]

A gloriously insane journey into the weirder reaches of rock, Air Guitar Nation is a funny, funky and oddly moving burst of lively factual entertainment.
Saxon Bullock-Film4

Shot in a raw, grungy style that lends the film a degree of authenticity, AGN is a riff-roaring experience that rarely hits a bum note.
Catherine Chambers-BBC

you will be entertained even if, in rock'n' roll terms, it's less satanic metal than cutesy chart pop.
Tom Hawker-Total Film

A delightfully surreal look at a bizarre performance art.
Olly Richards-Empire Magazine

Hugely entertaining, frequently hilarious documentary with colourful, warm-hearted characters and an infectious energy that'll send you bouncing out of the cinema with a goofy grin on your face.
Matthew Turner-ViewLondon

A genuinely funny and absorbing documentary.
Steve Watson-Little White Lies

When a documentary compels you to care about something that you didn't think you had any interest in, well... that rocks!
Cherryl Dawson and Leigh Ann Palone-TheMovieChicks.com

Air Guitar Nation is a very well-made film and it tells its story at a quick, even pace, but you really need to suspend your disbelief if you're going to allow this film to fully wrap you in its charms.
Eric Campos-Film Threat

Somehow, after most of the other 2007 movies have faded from memory, I have a feeling that I will still remember the passion and commitment of the people I met in Air Guitar Nation.
Mike McGranaghan-Aisle Seat

a fun enough goof to give it 90 minutes of your time as a feature film.
Christopher Null-Filmcritic.com

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Watch Notes on a Scandal Full Movie Online

Movie Title : Notes on a Scandal
Release Date : Dec 25, 2006 Wide
Genre Movie :Drama
Mpaa Rating : R

Actors :Judi Dench,Cate Blanchett,Bill Nighy,Andrew Simpson,Phil Davis,Michael Maloney,Juno Temple,Max Lewis,Joanna Scanlan,Julia McKenzie,Shaun Parkes,Tom Georgeson,Edna Kennedy,Syreeta Kumar,Wendy Nottingham,Tameka Empson,Leon Skinner,Debra Gillett,Barry McCarthy,Adrian Scarborough


Lust, jealousy, and revenge come cloaked in the guise of friendship in this psychological drama. Barbara Covett (Judi Dench) is a history teacher at a high school in London; while elderly Barbara is very bright, she's also severe and domineering, with a strong personality that tends to put people off. Barbara also takes a voyeuristic delight in recording the actions of those around her in her diary in the most minute detail. When Sheba Hart (Cate Blanchett), a bright and attractive woman in her mid-thirties, is hired as the school's new art teacher, Barbara believes she may have found someone worthy of her friendship, though she's soon disappointed to discover that Sheba has a husband and two children, a lifestyle that she finds offensively bourgeois. However, Barbara's obsessive interest in Sheba is rewarded when the younger teacher confesses that one of her students, Steven (Andrew Simpson), has developed an obviously sexual interest in her. However, in fact, Steven's crush on Sheba is hardly one-sided, and in time Barbara discover that the two have been making love on a regular basis for months. When circumstances turn Barbara against Sheba, she uses what she knows about the affair to destroy the life of her "friend." Based on the novel by Zoe Heller, Notes on a Scandal also stars Bill Nighy. ~ Mark Deming, Rovi
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User Ranting Movie Notes on a Scandal : 3.7
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Blanchett has also recently appeared in The Good German and Babel, but this represents far and away her best work.
Peter Rainer-Christian Science Monitor

Richard Eyre's direction merely plays up the melodramatic aspects of Zoë Heller's novel, screenwriter Patrick Marber's acidic dialogue occasionally slips into the overwritten, and the rest of the cast gamely chews table scraps.
Melissa Anderson-Time Out New York

Bill Nighy is stunning in the small but pivotal role of Sheba's devastated husband, and Dench locates the desperate pathos in Barbara's malevolence.
Jessica Winter-Time Out

This compact, fierce and frightening domestic thriller is the most violent film in many a day. The rage is in the angry words, the deepest thoughts of its 'heroine,' and the fear about what might come from those words is palpable.
Roger Moore-Orlando Sentinel

While Glenn Close played her Fatal Attraction character's 'I will not be ignored' psycho-obsession out front and out loud, Dench does it as subtext, making it all the more insidious, frightening ... and fascinating.
Eleanor Ringel Gillespie-Atlanta Journal-Constitution

In England, it seems, actresses have nothing to fear from age. They can simply wait for writers to create fresh work for them.
David Denby-New Yorker

Lurid melodrama lifted by corrosive writing and a frightening performance from the Dame.
Luke Goodsell-Empire Magazine Australasia

Stages the story with a tastefulness both ponderous and dishonest
Fernando F. Croce-CinePassion

Smart and brash, it's a picture Bette Davis and Joan Crawford would have killed (preferably each other) to be in.
Amy Nicholson-I.E. Weekly

British cinema fans shouldn't miss this one.
Peg Aloi-Boston Phoenix

Eyre paces it with an eye for the telling detail, and Blanchett and Dench give harrowing, fearless performances.
Jim Lane-Sacramento News & Review

Notes on a Scandal is melodrama at its best -- a nasty, wickedly good, over-the-top story with school teachers standing in where vampires usually prowl.
Brandon Fibbs-BrandonFibbs.com

born from watching too many episodes of Jerry Springer, and the filmmakers decided it would be more accepted by the Academy if the characters had British accents.
Kevin Carr-7M Pictures

The characters' motives are base enough, and there's an odd combination of petty incidents having walloping consequences, but the ironies are as delicately layered and "delicious" as they could possibly be without a hint of preciosity.
Alan Dale-Blogcritics.org

Dench's performance is the greatest pleasure in a hugely enjoyable, highly literate drama.
Lottie Moggach-thelondonpaper

...a thoroughly trashy piece of work...
David Nusair-Reel Film Reviews

Em seus melhores momentos, é um drama relativamente eficaz. (...) Nos piores, parece uma versão de O Pentelho protagonizada por mulheres e com Judi Dench no lugar de Jim Carrey.
Pablo Villaca-Cinema em Cena

Un brillante duelo actoral entre Judi Dench y Cate Blanchett %u2013dos de las mejores actrices de la actualidad- que es también un sutil estudio sobre la soledad y la obsesión.
Enrique Buchichio-Uruguay Total

As much as Barbara judges, however, you may find yourself in a quandary, not judging so much as taking pleasure in her vile, brilliant perfection.
Cynthia Fuchs-PopMatters

The movie's driving force is Dench, whose extraordinary performance only underscores her post as one of the world's finest living actresses.
Randy Shulman-Metro Weekly (Washington, DC)

A measured and yet gloriously overblown study of desire, entitlement and the twists we experience while shuttling between the two.
Michelle Orange-Reeler

Without a clear protagonist, "Notes On a Scandal" collapses under the weight of its significant subject matter. Nevertheless, Cate Blanchett and Judi Dench rise above the ill- prepared source material with their passionate performances.
Cole Smithey-ColeSmithey.com

This is a strong drama that simmers its way to a boil by the end of the film. It falters only at the very end, in which the story falls back on a cliché.
Mark R. Leeper-rec.arts.movies.reviews

A borderline melodrama film that is fortunate to feature two superb enough performances to grant it high entertainment status.
Joseph Proimakis-Movies for the Masses

There are brilliantly handled scenes of anger, embarrassment and humiliation, and brutal physical and emotional confrontations of great power.
Philip French-Observer [UK]

Engrossing, bewildering, searing and shattering, this is a film that reverberates on every level.
Urban Cinefile Critics-Urban Cinefile

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Watch The Wind That Shakes the Barley Full Movie Online

Movie Title : The Wind That Shakes the Barley
Release Date : Mar 16, 2007 Wide
Genre Movie :Drama
Mpaa Rating : PG-13

Actors :Cillian Murphy,Liam Cunningham,Padraic Delaney,Orla Fitzgerald,Mary Riordan,Mary Murphy,Lawrence Barry,Damien Kearney,Frank Bourke,Myles Horgan,Martin Lucey,Aidan O'Hare,Shane Casey,John Crean,Martin de Cogain,Keith Dunphy,Kieran Hegarty,Gerard Kearney,Shane Nott,Kevin O'Brien


Two brothers are caught on differing sides of the battle for Irish freedom in this politically minded historical drama from veteran British filmmaker Ken Loach. It's 1920, and Damien O'Donovan (Cillian Murphy) has recently graduated from medical school. Damien plans to leave the small village in Ireland where he was born to take a job in London, much to the annoyance of his brother Teddy (Padraic Delaney), who is an Irish loyalist and wants to see the British stripped of their rule of his land. While visiting Peggy (Mary Riordan), a longtime friend of the family, Damien and Teddy witness a visit by "Black and Tans," British soldiers who supposedly keep the peace in Ireland; the soldiers turn violent and murder Michaeil (Lawrence Barry), Peggy's grandson, when they discover he only speaks Gaelic. Damien is radicalized by the event, and with Teddy joins the local chapter of the Irish Republican Army, who use violence to drive British troops out of the country. While the IRA is a poor and ill-equipped fighting force, their willingness to give their lives for their cause is taken very seriously by the British, who step up their reprisals against the locals; the Black and Tans even begin directing their violence and torture against women and children, including Damien's girlfriend, Sinead (Orla Fitzgerald). In 1921, Britain attempts to end the violence in Ireland by creating the Irish Free State, a compromise government which will give the Irish greater autonomy while Great Britain still retains final political control of the nation. Teddy sees this as a victory and believes it's an important first step to a truly free Ireland, but Damien sees the IRA's goal as nothing short of complete independence, and the brothers and allies soon become rivals in a battle neither side can win. The Wind That Shakes the Barley received the Golden Palm award as Best Picture at the 2006 Cannes Film Festival. ~ Mark Deming, Rovi
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User Ranting Movie The Wind That Shakes the Barley : 4
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Gripping, powerful, heart-breaking.
Steven Rea-Philadelphia Inquirer

The Wind that Shakes the Barley is a multi-layered story, and the more you see those different aspects, the more you'll enjoy the film.
Marta Barber-Miami Herald

Raises hard questions about Ireland's uncanny ability to kneecap itself.
Kyle Smith-New York Post

[Loach] has made an often handsome, always sobering movie that does what the best movies do: leave us a whole lot less sure about what we ought to think.
Robert Denerstein-Denver Rocky Mountain News

[Loach is] the master of the docu-drama or the realist social film, and Wind is one of his masterpieces.
Michael Wilmington-Chicago Tribune

As frequently happens in both Loach films and history, the betrayal of ideals, socialist and otherwise, leaves a harsh aftertaste, which made me feel sadder but not much wiser.
Jonathan Rosenbaum-Chicago Reader

The film's stark outrage exposes the pussyfooting that these days passes for 'political'
Fernando F. Croce-CinePassion

Pickings must have been pretty slim at Cannes last year because Barley isn't much of a standout piece.
Heather Huntington-ReelzChannel.com

Loach delivers a moving and often beautiful story that captures the essence of the conflict, with all its unintended consequences and personal tragedies.
Rossiter Drake-San Francisco Examiner

Loach is on fire here. A masterfully executed mix of politics and passion, this is an example of that increasingly rare beast in modern cinema: a serious, thought-provoking film for grown-ups.
Ian Winterton-Film4

Gripping old-fashioned political drama.
Dennis Schwartz-Ozus' World Movie Reviews

A brutal film...deeply moving yet painful to watch.
Tim Brayton-Antagony & Ecstasy

Ultimately, the politics outweigh the poetry ... but it succeeds despite its hesitations and far-reaching ambition
Chris Cabin-Filmcritic.com

Laverty's screenplay is not a simple-minded exercise, although there is a schematic aspect to it. He and Loach want to be fair to both sides of the Irish debate ...
Ted Murphy-Murphy's Movie Reviews

The performances are shattering, made all the more harrowing by the situations the characters find themselves in.
Jason Gorber-Film Scouts

A film that shows the slow push for freedom as the sticky, messy and lengthy process it really is.
Steven Snyder-Zertinet Movies

the intensity of Murphy and Delaney's performances is shattering... 'Wind' never loses sight of the fact that sometimes a victim's wounds may be invisible to the eye, but every bit as painful as a stabbing...
James Sanford-Kalamazoo Gazette

There are moments that stir, and it's always lovely, but it's generally too remote to gain hold of you truly.
Shawn Levy-Oregonian

While the film has its share of exciting battle scenes, Loach captures them with an almost detached, documentary-like feeling, as if not wanting the thrills to overwhelm the essential tragedy he sees in the story.
Rob Thomas-Capital Times (Madison, WI)

Loach remains focused on the personal, which serves best to highlight the seriousness of the political with which it intersects.
Josh Bell-Las Vegas Weekly

Director Ken Loach borrows the title of his 1920s Irish insurrection drama "The Wind That Shakes the Barley" from a Robert Dwyer Joyce poem, and, in turn, his film is visual poetry.
Phil Villarreal-Arizona Daily Star

A social drama so well built that it can pump out thrills while fueling Damian's motivation.
Matthew Sorrento-Film Threat

A scenic bit of agitprop that can be as easy on the eyes as it is soft on the ear, even when it's being harshly argued and violently portrayed.
Duane Dudek-Milwaukee Journal Sentinel

Oh brother, where art thou politically?
Larry Ratliff-San Antonio Express-News

The Wind That Shakes the Barley has a sober, authentic, down-to-earth feel to it.
David N. Butterworth-rec.arts.movies.reviews

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Watch God Grew Tired Of Us Full Movie Online

Movie Title : God Grew Tired Of Us
Release Date : Jan 12, 2007 Wide
Genre Movie :Documentary,Special Interest
Mpaa Rating : PG

Actors :John Bul Dau,Panther Bior,Daniel Abul Pach,Nicole Kidman


Three young men leave behind a land in chaos to find new lives in a thoroughly different culture in this documentary. As the African nation of Sudan fell into political disarray near the dawn of the 21st century, with unspeakable violence following in its wake, thousands of refugees attempted to flee the country, making their way into Kenya in hopes of earning passage elsewhere. Jon Bul Dau, Daniel Abu Pach, and Panther Bior were three such people who eventually came to the United States, and filmmaker Christopher Quinn spent four years following them on their journey in a new and unfamiliar land. In God Grew Tired of Us, Quinn documents the young men as they struggle to build new lives for themselves, acquaint themselves with the "American" way of doing things, the difficulties of being black in a primarily white culture, and try to track down the friends and family they were forced to leave behind. God Grew Tired of Us received its North American premier at the 2006 Sundance Film Festival; actor Brad Pitt served as the film's executive producer. ~ Mark Deming, Rovi
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User Ranting Movie God Grew Tired Of Us : 4.3
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New Review For Movie God Grew Tired Of Us

Too often with documentaries, we get only the tears. There is no second act or resolution. Christopher Quinn's God Grew Tired of Us gives us reason to hope about a human catastrophe.
Peter Howell-Toronto Star

The film is not a pity party, it's a story of resilient people bearing up under conditions few of us could imagine.
Colin Covert-Minneapolis Star Tribune

Not as good, nor as complex, as The Lost Boys, but that doesn't make the story of mass annihilation, sprawling refugee camps, the generosity of Americans, and the resilience of a handful of Sudanese survivors any less worthy of telling -- again.
Steven Rea-Philadelphia Inquirer

There's no way to not like [John] Dau. Or for that matter, God Grew Tired of Us.
Bill Muller-Arizona Republic

Their journey isn't over -- many in Africa still desperately need help -- but the hope and opportunities America offers are a grand place to start.
Bruce Westbrook-Houston Chronicle

Can there really be no footage of their uncertainty, anger at unfriendly Americans, even an embrace of bad habits?
Joshua Rothkopf-Time Out New York

Admittedly amusing fish-out-of-water moments are nothing compared to what the boys face as they try to adapt to a wildly foreign culture.
Brandon Fibbs-BrandonFibbs.com

It's an uplifting last act, though not one that comes with solutions to an Africa that seems to cough up one genocide after another. Personal redemption and hope aren't a cure-all, but they do shine a light in the darkness.
Jim Slotek-Jam! Movies

The Lost Boys' gratitude for simple things will humble those of us accustomed to comfort and opportunity. Their endurance, ambition, and compassion should inspire us.
Jeffrey Overstreet-Looking Closer

A thought-provoking film likely to make moviegoers question their own paths in life even as it involves them in the lives of several of the 'Lost Boys' of Sudan...
John Beifuss-Commercial Appeal (Memphis, TN)

God Grew Tired of Us is a better film than Lost Boys of Sudan, focusing on details of the men's lives and shifting fluidly between three distinct "characters": John, Daniel and Panther.
Chris Hewitt (St. Paul)-St. Paul Pioneer Press

The film's subjects display impressive adaptability, as well as a desire not to forget those they've left behind. The emotional high point is a miraculous reunion between one of the 'Lost Boys' and the mother he'd had no contact with for 17 years.
Marc Mohan-Oregonian

It deflates upon arriving in the vast, familiar blandness we know as America.
Michael Wade Simpson-culturevulture.net

Christopher Quinn and Tommy Walker made this fine and never simply pleading film, its moving subjects including tall, gentle, tireless, prayerful and humane John Bul Dau.
David Elliott-San Diego Union-Tribune

In an age where xenophobia is rife, God Grew Tired of Us presents the opposite side of the coin.
Ken Hanke-Mountain Xpress (Asheville, NC)

A beautiful documentary, deserving of its Sundance Grand Jury Prize and Audience Awards.
Jean Lowerison-San Diego Metropolitan

Not quite intimate, the film can only hint at its subjects' depths of pain and strength, inviting them to remember and observing as they grapple with the perversities of life in the States.
Cynthia Fuchs-PopMatters

[A] simple and direct documentary.
Sean Means-Salt Lake Tribune

Satisfying enough to demonstrate that some stories deserve to be told more than once.
Frank Swietek-One Guy's Opinion

The film affirms that if it is possible to survive when you have lost your home, family, and country, it is possible to start over and prevail.
Marrit Ingman-Austin Chronicle

About the untold ways in which males can and have nurtured one another in ways that build and create a sense of family and community.
Prairie Miller-WBAI Web Radio

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Watch Requiem Full Movie Online

Movie Title : Requiem
Release Date : Oct 20, 2006 Limited
Genre Movie :Drama,Horror,Art House & International,Mystery & Suspense
Mpaa Rating : Unrated

Actors :Sandra Hueller,Burghart Klau??ner,Imogen Kogge,Karl Klinger,Friederike Adolph,Anna Blomeier,Nicholas Reinke,Jens Harzer,Walter Schmidinger,Irene Kugler,Johann Adam Oest,Eva Löbau,Sandra Hüller,Burghart Klaussner


Director Hans-Christian Schmid helms this award winning account of a first-year university student whose bout with epilepsy leads to a tragic exorcism. Inspired by the same events that were previously dramatized in The Exorcism of Emily Rose, Requiem follows college freshman and devoted Catholic Michaela Klinger (Sandra Hueller) as she attempts to adjust to dormitory life while struggling to meet the growing pressures and academic expectations of school. Though a tentative friendship with temperamental classmate Hanna (Anna Blomeier) and a blossoming romance with easygoing chemistry student Stefan (Nicholas Reinke) at first find the shy student developing a pair of healthy bonds, an ill-advised abandonment of her medication regimen sets into motion a chilling series of events. Warned by a series of apparitions and disembodied voices that she should stay away from rosaries and crucifixes, Michaela seeks out the help of both her parents and amiable priest Father Landauer (Walter Schmidinger) to no avail. When Michaela becomes convinced that she is being made to suffer in the same manner of a well-known saint, well-intending pastor Borchert (Jens Harzer) hastily assembles an in-home exorcism that is doomed to end in tragedy. ~ Jason Buchanan, Rovi
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User Ranting Movie Requiem : 3.4
User Percentage For Requiem : 63 %
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Working from an economical and intelligent script by Bernd Lange , Schmid directs his first feature with the easy conviction that eluded the makers of the preposterous Emily Rose.
Wesley Morris-Boston Globe

Stage actress Sandra Huller delivers a stunning, understated performance...
Bill Stamets-Chicago Sun-Times

The nonsensationalistic results are also somewhat ho-hum -- and oddly less convincing than Friedkin's lurid mess, let alone the elegant satanism sagas of Tourneur and Polanski.
Martin Rubin-Chicago Reader

The confusion and panic and everyday interactions in Requiem feel honest and true-to-life, which has nothing to do with how factual it is, or isn't.
Michael Phillips-Chicago Tribune

In lesser hands, Requiem would seem merely bleak, but Schmid makes a rigorously urgent and compelling film out of Michaela's odyssey.
Kevin Thomas-Los Angeles Times

Quietly devastating and unbearably moving, this is a soul-searching classic.
Nigel Floyd-Time Out

an intense, disturbing and bleak drama of ecstasy and insanity, all set in a world where, if there is a God at all, it truly requires a leap of faith into the dark to grasp Him.
Anton Bitel-Film4

A convincing portrayal of a helpless soul wavering between fear and faith, and the madness of murder being perpetrated in the name of Christ.
Kam Williams-Upstage Magazine

What matters in Requiem amounts to the fine performances, Schmid's assured hand, and the magnificent rustic scenery.
Doris Toumarkine-Film Journal International

Sandra Hueller leads a fine cast and gives a textured performance as wallflower Michaela who is suddenly freed when she goes out into the world, only to be done in by her inner, psychosis-driven demons.
Robin Clifford-Reeling Reviews

[Huller] combines the raw physicality of Michaela's seizures with an emotional confusion as she ponders the cause of her attacks and how to react to them.
Ed Scheid-Boxoffice Magazine

A tragic tale of teen rebellion and misplaced faith, this is a sober and sobering account of a young girl's untimely end, made enthralling by great performances and restrained direction.
Helen OHara-Empire Magazine

A naturalistic and thrillingly powerful film, with a stand-out performance from Hüller at its centre.
David Mattin-BBC

The movie ends a little too abruptly, but it features a heartrending performance from Sandra Huller that brought her the best actress award at this year's Berlin Film Festival.
Philip French-Guardian [UK]

What cannot be debated is the strength of Huller's naturalistic lead performance, a frighteninglyn intense turn that brings to mind Emily Watson's work in Breaking the Waves.
Glenn Whipp-Los Angeles Daily News

Based on the same story as The Exorcism of Emily Rose, this is a far more accurate and ultimately much more frightening version of events, with an award-winning performance from Huller.
Matthew Turner-ViewLondon

Requiem isn't a horror movie so much as a thwarted coming-of-age story, like Carrie without the bloody reckoning.
Scott Tobias-AV Club

A demonic posession movie WITHOUT special effects? Horrors!!!
Eric Lurio-Greenwich Village Gazette

Bogumil Godfrejow's raw cinematography and (Sandra) Huller's poignant, close-to-the-bone performance transform what might have been a morbid curiosity into an entirely enthralling, quietly terrifying experience.
Ken Fox-TV Guide's Movie Guide

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Watch Jonestown: The Life and Death of Peoples Temple Full Movie Online

Movie Title : Jonestown: The Life and Death of Peoples Temple
Release Date : Oct 20, 2006 Wide
Genre Movie :Documentary
Mpaa Rating : Unrated

Actors :


Produced for the PBS series American Experience, Stanley Nelson's Jonestown: The Life and Death of the Peoples' Temple, written by his frequent collaborator Marcia Smith, examines the infamous religious cult formed by Jim Jones and the events that led to the group's horrifying mass suicide in 1978. The film traces Jones' history from his unhappy childhood in rural Indiana. Witnesses describe a strange, charismatic young man who nursed a seemingly sincere desire for social justice, but also reputedly murdered small animals as a child. Jones' desire to befriend people across color and class lines alienated his family and neighbors. Eventually, he moved to Indianapolis, where, as a young Pentecostal minister, he started the city's first integrated church. Eventually, Jones moved his church to California to escape the racism he perceived in Indiana. In Redwood Valley, his church took on a new life, and he began aggressively recruiting new members. At first, members were required to tithe a percentage of their worth, but eventually, they were expected to relinquish all of their "worldly goods" to the Temple. In 1974, Jones moved to San Francisco, where he acquired some political clout before his high profile caught up with him. Just before a damaging exposé was published, he moved his people to what was meant to be a "paradise" outside the racism and oppression of America, in Guyana. Nelson interviews eyewitnesses, including many former members of the Temple, and members of Congressman Leo Ryan's staff who managed to escape when the congressman's investigatory visit ended in bloodshed. The film had its world premiere at the 2006 Tribeca Film Festival. ~ Josh Ralske, Rovi
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User Ranting Movie Jonestown: The Life and Death of Peoples Temple : 3.8
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New Review For Movie Jonestown: The Life and Death of Peoples Temple

Jonestown is a somber and non-exploitive reconstruction of the events that led the members of the Peoples Temple.
Terry Lawson-Detroit Free Press

Stanley Nelson revisits the 1978 mass suicide of Jim Jones and his flock in Guyana, savoring the horror but offering no new insights.
J. R. Jones-Chicago Reader

Ultimately, the film doesn't entirely answer the massive 'why' at the center of this story -- that answer died on that day in 1978 -- but it's a haunting exploration of an event of unspeakable sadness, which still resonates decades later.
Moira MacDonald-Seattle Times

A somber, solid documentary [parading] the whole bleak tale before us again, complete with those disturbing scenes of hundreds of corpses in their tees and shorts and flip-flops strewn about facedown in the mud of Jonestown, Guyana.
Stephen Hunter-Washington Post

The last half hour of Jonestown is almost unwatchable. Video footage of the assault on the congressman's delegation gives way to audio of Jones exhorting people to 'die with a degree of dignity' as children shriek in the background.
Ty Burr-Boston Globe

Jonestown is not an easy movie to watch. But it's a solid presentation of an important chapter in American and religious history. Haunting is the only word that truly fits.
Michael Booth-Denver Post

Nelson's thought-provoking documentary investigation into the life and times of preacher Jim Jones raises a fistful of public policy questions that are still knocking around today.
Kelly Vance-East Bay Express

Frightening, grueling, and needed in an age where religious fanaticism of all kind reigns...
Felix Vasquez Jr.-Cinema Crazed

The combination of these materials and the new interviews reconstruct a story few really know.
Eric Monder-Film Journal International

As much as it leaves open individual questions of devotion and need, the film does make clear the dangers of seeking solace and identity in the embrace of such a complex ego.
Cynthia Fuchs-PopMatters

It is a frightening epitaph for what is surely one of the 20th century's most heartbreaking cautionary tales against giving one up to the will of another.
Bill White-Seattle Post-Intelligencer

The documentary, directed by Stanley Nelson, incorporates rare footage and recordings with a history of Jones and the Peoples Temple. The film's planned airing on PBS will expose many more viewers to this important slice of history.
Ted Murphy-Murphy's Movie Reviews

Relying on previously unseen film footage, still photos and voice recordings, Jonestown paints a portrait of a fantastically charismatic preacher.
Robert W. Butler-Kansas City Star

Nelson gives plenty of time to the intelligent, articulate members who provide riveting details about those days nearly 30 years ago and their reflections now, but he doesn't provide historical context for the events.
Michele Kenner-Milwaukee Journal Sentinel

More than a record of one horrific moment in history or the cautionary tale of the road to hell being paved with good intentions.
Andrea Chase-Killer Movie Reviews

From idealistic beginnings to the horror-movie ending, a singular episode of history is peeled open to expose a raw and ugly core.
Shawn Levy-Oregonian

Nelson's film helps us understand that Jonestown may be history, but the tremendous loss still resonates.
Mary F. Pols-Contra Costa Times

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